Mark Pinder will oversee the Toronto-based animation studio’s production pipeline to grow its productivity and infrastructure.
A look at the factors helping French-Canadian content increase its impact, including a growing international taste for non-English-language content.
Geneviève Albert’s Noémie dit oui and Jason Brennan’s L’Inhumain make the list in their debuts, while Norbourg leads in its second week.
Plus: The Fantasia and Blue Mountain film festivals share their Canadian premieres, and the National Screen Institute names Indigenous participants for two programs.
A week-long trade mission to Germany, Sweden and the Netherlands began with the reopening of a digital media incentive between Canada and the German region of Berlin-Brandenburg.
The feature animated doc about a hack of Chinese state TV won the Hot Docs Audience Award in addition to the first-place $25,000 Rogers Audience Award for Best Canadian Documentary.
The companies have extended their deadline in order to work towards the deal’s approval.
Strati becomes the CMPA’s senior VP of industry, policy and general counsel at “a pivotal time in our industry,” says the CMPA.
The program, kicking off its 21st edition this week, now has two streams — series and features — unfolding over three months.
Amaze-produced Prime Video comedy The Lake will close the fest that’s being run by interim co-heads Andrew Murphy and Elie Chivi after the departure of Lauren Howes.
The adaptation of the Kenneth T. Williams play of the same name is produced by Niro, Freddie Films and Circle Blue Entertainment.
Parentco Sunbelt Rentals has acquired the Pinewood Studios-based Movietech Camera Rentals, with WFW’s Trevor Huys tapped to oversee operations.
Moon Knight overtakes Our Flag Means Death to lead the digital originals list.
Teams from Starstruck, Rutherford Falls and Among the Stars will also speak in Master Class sessions at next month’s Banff World Media Festival.