Fifteen producers will participate in the Galway Film Fleadh and meet with Irish production studios, buyers and distributors.
Netflix’s Squid Game rose to No. 2 in digital and overall demand following its season three premiere on June 27.
The Toronto-born, New York City-based media executive will assume the role on Aug. 1.
The projects from Ontario and B.C. were selected for funding through the Indigenous Screen Office’s Interactive and Immersive Program.
President and CEO Matthew Celestial discusses how live entertainment can be utilized to support independent animation.
Announced last September, the deal sees Rogers acquire BCE’s 37.5% stake for $4.7 billion.
Writer-director Ian Tuason’s The Undertone is among the features in the third wave reveal at the Montreal genre film-focused festival.
Mayor Olivia Chow will head the delegation, joined by a group of industry leaders and City of Toronto Film Office staff.
The 6 x 60-minute continuation of the original films stars Patrick Huard and Henry Czerny.
Filmmaking Outside the Box: Disconnection and Disruption in Rural Ontario outlines how producers adapt to limitations imposed by budget, equipment and crew.
AI software services have the potential to provide producers with business intel that can help them shape their strategy, and their slates. But there’s still room for improvement.
Williams and music producer Greg Wells are among 83 new appointees to the Order.
Eyes in the Woods, the scripted series from Calgary’s Numera Films, is among the commissions.
Experts weigh in on the vulnerability of Canadian digital legislation to U.S. trade retaliation and the potential of reigniting debate around the Online Streaming Act.