Jamie Casemore

Posts by Jamie Casemore

James Mark’s Karate Ghost kicks off in Toronto

The film, distributed by Blue Fox Entertainment in Canada, is slated for an early 2026 festival premiere and theatrical release.

DGC names delegation for inaugural Access Canada Summit

The summit runs from Sept. 8 to 10 during the Toronto International Film Festival.

Hot Sheet

Hot Sheet: Ginny & Georgia demand rises for season three

Stranger Things led digital demand in early June as the series moved closer to the premiere of its final season.

Whistler Film Festival names Producers Lab International cohort

The participants will travel to Ireland’s Galway Film Fleadh in July for a targeted business development mission.

Wookey Films sets dramedy Malgré moi for Radio-Canada

The French-language series is directed by Maxime Beauchamp and produced by Wookey co-founders Janelle and Jérémie Wookey.

Acimow, White Pine Pictures partner on Tomson Highway doc

The documentary, commissioned by CBC and APTN, is produced by Peter Raymont and director Barbara Todd Hager.

Netflix licenses season two of Just for Laughs’ About Antoine

Netflix previously licensed the first season and the companion documentary Amazing Antoine.

Unis TV, Bell Media set collaboration with Surf Bay, côte Ouest

The French-language series is currently in production and produced by creator Anthony Cauchy and Magali Gillon-Krizaj.

SkyMed heads to Paramount+ in Canada for season four

The first three seasons of the Canadian procedural from Piazza Entertainment ran on CBC and CBC Gem.

Seeds takes two awards at 2025 imagineNATIVE

The festival also awarded Tasha Hubbard’s Singing Back the Buffalo and Amanda Strong’s Inkwo for When the Starving Return.

CFC launches Comedy Series Lab with Bell Media, Blink49 Studios

Launching in the fall, the initiative pairs racialized and equity-deserving talent with a showrunner mentor to develop their skills and original comedy pilots.

Telefilm boosts support for animated features

The development and export initiative is a part of Telefilm’s wider prioritization of animation.