Once Bill C-10 is passed, the Canadian screen industry will have the chance to renew, reinvest and rebuild itself, says CMF president and CEO Valerie Creighton. The opportunity is there for the taking, but industry players must collectively be ready to embrace bold, transformative change.
Column: Reelworld founder and executive director Tonya Williams asks “is your story perpetuating the negative stereotypes that lend to the public fear and violent treatment of Black, Indigenous, People of Colour as less than human?”
Reel Canada’s Jack Blum and Sharon Corder discuss National Canadian Film Day’s pivot and how, even through these challenging times, the industry has come together.
From Playback Magazine: For those waiting for augmented reality to go mainstream, welcome to the year where the technology edges into practical reality.
Column: Jesse Wente addresses the need for Indigenous storytelling and the recommendations put forth for the future of the Broadcasting and Telecommunications Act.
Column: Irene Berkowitz examines how Canadian creative entrepreneurs are monetizing their content both on and off the platform.
Column: with the BTLR panel’s final report set to land in January, Irene Berkowitz examines whether a long-standing assumption of Canada’s media policy is true or false.
While the kids biz still faces some of its biggest challenges yet, CEO Agnes Augustin says helping producers and creators problem-solve is the fuel that fires the Fund.
Vibika Bianchi, veteran producer, programmer and the acting chair of AfterMeToo, reflects on a year that changed the industry.
Data generated in a recent study of Cirque to Soleil audiences sheds light on what happens when people experience big moments in group settings.
Fest director Charlie Boudreau says the slate aims to expand the breadth and notions about queer cinema, including titles such as Keith Behrman’s Giant Little Ones.