The playlist will feature projects from Indigenous filmmakers like Zacharias Kunuk, Michelle Latimer and Alanis Obomsawin.
While overall revenues increased by 3%, lower Blue Jays’ revenues contributed to a dip in the media segment this quarter.
President and CEO Doug Murphy said Corus will continue to expand its slate of TV IP, with 11 Studios’ series set to launch in fiscal 2019.
The new company, Monsters Aliens Robots Zombies (MARZ), will focus on high-end TV projects and is currently working on HBO’s Watchmen and Netflix’s The Umbrella Academy.
Projects from Blue Ant Media Productions, Big Bad Boo Digital and Hollywood Suite are among those receiving support.
BGM founder Julie Bristow explains how the premium WWI docudrama went from start to the MIPCOM finish line in just over a year.
Big Mouth leads the list, followed by The Man In The High Castle at #2, and Ozark at #3.
A new Hot Docs study finds 91% of Canadian doc audiences would watch even more documentaries if they knew where to find them.
Beth Iley (pictured) will source and develop dramatic TV projects alongside the company’s VP of development Caroline Habib.
The SVOD service has acquired worldwide digital and Canadian theatrical rights to Canadian Film Fest-winner The Drawer Boy.
Plus: Jim Henson Company boards Omnifilm and Reality Distortion Field’s Knights of Panterra, IMAX names a new president, and more.
The Property Brothers will exec produce a single-camera comedy, based on their memoir, which is currently in development with Fox.
Renovation and construction on the new site in Hamilton will begin in 2019, with the finished building set to be operational by spring of 2021.
The streaming giant attributed its strong performance in part to its romantic comedy-focused film slate.
Blue Ant International sells more than 60 hours of content to China’s CCTV, Cineflix Rights licenses 330 hours of content across Europe, plus more.