The program’s launch comes as the CMF looks to expand its funding triggers in order to create new paths to market for producers and creators.
All told, eight Quebec organizations secured funding from the Canadian Heritage program.
Canadian horror legend David Cronenberg joins the cast of Shaftesbury’s horror anthology, with Hollywood Suite holding exclusive broadcast rights in Canada.
Plus: The CRTC sets a date for CBC’s licence renewal hearing, The Umbrella Academy plots its return to Toronto in 2021 and WFF names its Women in Focus Mentorship participants.
The provincial government has confirmed that projects already underway are permitted to continue shooting, as it implements heightened restrictions to curb the spread of the novel coronavirus.
Pier 21 is producing the in-development project, with Russell Peters attached as an executive producer.
Following Transplant‘s pick up, the Toronto-set medical drama from eOne and ICF Films has joined the network’s primetime lineup.
With the provincial government set to issue a final order later today, the local screen sector has mounted a lobbying effort urging the government to allow in-production projects to be completed.
The company’s revenue was down 15%, but its recently expanded Apple TV+ deal is expected to help drive new growth over the next year.
Anthony’s carefully crafted writing talent has impressed the likes of CBC and Children Ruin Everything creator Kurt Smeaton as he uses his past experiences to write untold and relatable stories.
The Masked Singer comes in at #1, while Departure claims the #9 spot and Star Trek: Discovery lands at #23.
The first film to be produced through the newly inked partnership is Fear the Worst, which is set to shoot next year with Jason Priestley starring and executive producing.
The publicly traded company is looking to tap into a wider pool of investors in the U.S. as it builds on a strong fiscal 2020.
Frances-Anne Solomon is set to direct, produce and co-write the feature film about pioneering British-Trinidadian journalist and activist Claudia Jones.
Monkey Beach swept the feature film categories at San Francisco’s American Indian Film Festival, while Come True came out “bloodie.”