Cross-platform companion pieces to Wynonna Earp, Canada The Story of Us and Odd Squad also claimed awards at Screen Week’s third gala.
The organization has implemented a revised set of guidelines for funding recipients that seek to improve work environments.
Canadian producers are scrambling to adjust their business models in the face of a stalled domestic system and increasingly globalized production environment.
Toronto-shot Star Trek: Discovery tops the charts, followed by Netflix’s Stranger Things and The Grand Tour at #2 and #3.
Among them is Robert Budreau’s (pictured) copro Stockholm, which world premieres in the festival’s Spotlight Narrative program.
Plus: Baywood Virtual FX adds a new face to its Toronto team and the National Screen Institute partners on a doc to further Indigenous culture.
Born out of the November roundtable meetings, the Code sets out to ensure safety and respect are the norm in work and work-related environments.
A fierce night of competition saw Canadian hits going head-to-head, with series across all major broadcasters taking home trophies.
From Playback magazine: A look back at the career, challenges and achievements of Telefilm’s exiting executive director.
The funder saw 47% of its projects directed by women compared to men (38%) and a spike in the number of mixed teams for 2017 to 2018.
The Donaldson Company’s Whatever, Linda (pictured) is one of the titles named to the new Canneseries In Development program.
With the promotion, Kajpust’s remit will expand to include all U.S. and international program acquisitions.
Reem Morsi’s Fish and Nicole Steeves’ The Method were among the projects selected for the genre concept competition.
CBC’s primetime coverage of 2018 Winter Olympics nabs the #1 and #3 spots, followed by the encore coverage of PyeongChang’s closing ceremony at #2.
The mob drama has been given an expanded, eight-episode order and will return to City in the fall.