Four prototypes supported through the CFC’s UK-Canada Immersive Exchange will have their public debut at the Austin-based festival next week.
First-of-its-kind analysis of creative technology sector in B.C. highlights sector as key driver of economic growth and employment, despite pandemic impacts.
Canadian companies are offering cost-effective solutions for indie filmmakers so they can afford the latest filmmaking tech tools Hollywood already embraces.
The studio’s co-founder and creative director Felix Lajeunesse shares production stories behind Space Explorers: The ISS Experience and how their U.S. partnerships have helped raise their profile with voters.
In addition to the launch of the new company, Dark Slope has secured $3 million in new capital through a funding round led by Mars IAF.
Chosen from nearly 500 applications, the talent development and coproduction program consists of 12 participants from Canada and 12 recipients from the U.K.
The organization is not sitting still, innovating constantly. And with the industry at what Valerie Creighton characterizes as a turning point, there is rare opportunity on the horizon. “If we get this right, Canada will hold its place with the best in the world,” she says.
The Canada Media Fund is not letting the pandemic slow efforts to better serve the industry as a whole.
Plus: The NFB expands its short film collection The Curve, to which 40 creators and filmmakers contributed, and Saloon Media launches a new scholarship fund.
The Seven Ravens is narrated by Neil Gaiman and will be demoed at a prestigious computer graphics conference next week.
The appointment comes as Dark Slope pivots toward immersive learning and closes a new round of bridge funding.
Teletubbies, In the Night Garden and Dragon & Boy are joining AR app AnibeaR, following US$17 million in new financing being earmarked for the AVOD to grow.