The annual Toronto-based festival supporting Canadian indie films and talent has also welcomed new faces into its programming team and launched a mentorship program.
The series starring Melanie Scrofano previously picked up the award for Sci-Fi/Fantasy Show in 2018.
Led by CEO Paul Pattison (pictured) and CCO Russ Uttley, the location serves as the headquarters for the company’s animation division.
All told, eight Quebec organizations secured funding from the Canadian Heritage program.
Following Transplant‘s pick up, the Toronto-set medical drama from eOne and ICF Films has joined the network’s primetime lineup.
Frances-Anne Solomon is set to direct, produce and co-write the feature film about pioneering British-Trinidadian journalist and activist Claudia Jones.
Japanese Canadian director Warren P. Sonoda and Mohawk director Tracey Deer have been appointed as DGC National president and 1st VP, respectively.
Liz Cairns, Lindsay McIntyre and Emily Diana Ruth are among this year’s eight participants for the script development and director mentorship program.
Going the hybrid route, director Wendy Morgan’s Sugar Daddy will serve as WFF’s virtual opening night presentation, while Carl Bessai’s In Her City is the fest’s in-theatre opener.
Passionate about telling stories in a modern, authentic and engaging way, the Ojibwe two-spirit creative’s career has quickly progressed since graduating from the NSI.
Island of Bryan, The Big Bake and Masters of Flip were among the series that secured sales.
Indiecan Entertainment has acquired the young adult supernatural thriller directed by Ann Forry for representation in Canada and the U.S., while APL Film handles international sales.