Data generated in a recent study of Cirque to Soleil audiences sheds light on what happens when people experience big moments in group settings.
Fest director Charlie Boudreau says the slate aims to expand the breadth and notions about queer cinema, including titles such as Keith Behrman’s Giant Little Ones.
Entertainment lawyer Lorraine P. D’Alessio examines what’s at stake in the renegotiation of NAFTA and the precedent set by TPP11.
As the government-appointed panel begins its review of the Broadcasting and Telecom Acts, media researcher Irene Berkowitz makes the case for re-thinking how subsidies are deployed.
With the future of U.S./Canada cross-border mobility in flux, there could be significant impacts for those working in entertainment, writes Lorraine D’Alessio.
With petitions circling and choruses growing louder, Irene Berkowitz says it’s critical to be specific about what’s being asked of the government.
To stand out in the global marketplace, Irene Berkowitz argues the industry needs a platform-agnostic points system.
CMPA chair and Shaftesbury exec Scott Garvie argues that the hoopla around Netflix misses the forest for the trees in Minister Joly’s cultural policy.
Entertainment lawyer Lorraine P. D’Alessio offers up three tips to Canadian producers to negotiate better deals with American studios.
Outset Media will launch branded games based on the Sinking Ship Entertainment-Fred Rogers series next spring.
Looking to ink a deal with a Netflix or Amazon? Entertainment lawyer Marco Figliomeni explains what producers should consider when negotiating content licence agreements.