A near-unanimous strike authorize vote from IATSE International could put U.S. productions on ice, resulting in short and long-term effects for Canadian producers.
Netflix, Amazon and other streamers are hiring domestic content executives, stoking optimism that new buyers will stimulate a much-needed uptick in Cancon commissioning. But what exactly does that mean for the Canadian production sector?
With an estimated 200 projects ready to go to camera, the specifics of the application criteria could prove to be make or break for producers desperate to salvage something from a torrid 2020.
With a number of moving parts, including the ongoing legislative review, industry heads weigh in on what the result could mean for the Canadian industry in the years ahead.
In the first of an occasional series, producer-association heads from the U.K., Canada and Australia pinpointed points of divergence and opportunity in the disrupted TV landscape.
Industry stakeholders weigh in on areas for the national funder to focus on as it faces a leadership change and the continued shakeup of the film and media business.