The trio are among 14 prodcos sharing $2.4 million in production funding through the Short-Form Digital Series (Non-Fiction) Program.
The project is penned by Canadian writing duo Adam and Max Reid and exec produced by Ben Stiller’s Red Hour Productions banner.
As the hearing for a multi-lingual TV service got underway, CRTC chair Ian Scott emphasized that the commission is not compelled to licence any of the applicants’ proposed services.
The animated adult comedy created by Cavendish‘s Mark Little has signed licences with broadcasters in Australia and Canada.
The German kids broadcaster has picked up the award-winning STEM series’ second season to air in late 2019.
Fantastic Beasts: The Crimes of Grindelwald scores the top spot, followed by Dr. Seuss’ The Grinch at #2 and Bohemian Rhapsody at #3.
Anthropocene: The Human Epoch comes in at #1, followed by Les Salopes or the Naturally Wanton Pleasure of Skin and L’Amour at #2 and #3, respectively.
The evening saw Catherine Tait (CBC/Radio-Canada) and Valerie Creighton (CMF) among those celebrating the achievements of women in comedy with Ottawa’s political crowd.
Guzzo Cinemas head Vince Guzzo says his role as a Dragons’ Den investor sparked interest in domestic expansion of his theatre chain.
Among them is filmmaker Jennifer Alleyn and her project Impetus, which will screen in competition in the festival’s Narrative Features program.
The former Alliance Numerique executive director takes over the public and government affairs role following Jean-Claude Mahe’s retirement.
The NSI Totally Television-developed TV series Recovery from Samson Films and Goonworks Films is among the projects selected for the inaugural edition of the $150,000 fund.
The hit format has been greenlit for another season after continuing to bring in big ratings in season six.
Next week, eight media companies will vie for the right to operate a multilingual, multi-ethnic programming service for Canadians’ basic cable.
The approval paves the way for construction to begin on four 20,000-square-foot sound stages, which are scheduled to be operational by mid-2020.