An uptick in TV ad spending continued to be the main driver, with overall revenues hitting $353.5 million.
COO Sheena Macdonald discusses how opening up its grounds to external productions has energized the Canadian Film Centre and boosted its bottom line.
Matsui’s Ghost BFF webseries (pictured) is among 10 titles chosen for the mentorship lab focused on digital short-form projects.
Corus inks its first deal for fashion competition series Stitched (pictured), while PNP picks up the Canadian rights to TIFF’s 2018 closing night film, and more.
Stranger Things comes in at #1, followed by The Umbrella Academy at #2 and The OA at #3.
The coming-of-age comedy is produced by London, U.K.-based prodco Who’s On First and Toronto’s Elevation Pictures. (Noah Segal pictured).
Creator and showrunner Adam Pettle shares how he built his most diverse writers’ room yet to create a new kind of medical drama.
Plus: WGC unveils the Jim Burt Screenwriting award finalists, The Umbrella Academy gets a season-two renewal, and more.
The deal with Channel Four comes three months after cameras started rolling on season three of the medical drama.
The annual report from the City of Toronto said overall spend came close to 2016’s record-setting numbers, citing higher average production budgets for the increase.
Vignale catches up with Playback to discuss his inspiration for his new Citytv show and the process behind creating a multi-layered story.
Former UKTV exec Alexandra Finlay will work to expand the prodco’s coproduction slate in a newly created role.
Through the deal Loewy, Cineplex and Mongrel will jointly handle the Canadian theatrical distribution of films either acquired or produced by Lionsgate.
The company’s Studios division has commissioned a trio of originals, including new projects from Scott Brothers Entertainment and McGillivray Entertainment.
9-1-1 comes in at #1, while Big Brother Canada and Jann crack the top 30.