The project written and created by the duo represents the first time Brightlight Pictures and Pier 21 Films have partnered.
Among the commissions is a socially distanced dating show, Group Sext, from Go Button Media and a renewal for Guts and Gall Productions’ Avocado Toast.
Departure makes the list at #8, followed by Private Eyes at #18.
Monkey Beach tops the list, followed by The Kid Detective at #2 and The New Corporation: The Unfortunately Necessary Sequel at #3.
Freaky comes in at #1, followed by Let Him Go and The War with Grandpa at #2 and #3, respectively.
Bonney, who leads the sales arm of Montreal-based Cineflix Media, has overseen international sales for global brands and hit shows including Property Brothers, Coroner and Wynonna Earp during his eight-year tenure.
The organization is not sitting still, innovating constantly. And with the industry at what Valerie Creighton characterizes as a turning point, there is rare opportunity on the horizon. “If we get this right, Canada will hold its place with the best in the world,” she says.
The Night Logan Woke Up, a five-part psychological thriller from Quebecor Content, Canal+ and Studiocanal, goes to camera in March.
The Netflix original series, written and directed by Mehta, is based on the 2012 investigation into the rape of a young woman in India.
Split between six English-language and three French-language series, notably, projects from Shaftesbury and Filmcoop were among those selected.
Post-production, visual effects and animation studios are also allowed to continue, while cinemas must stay closed, except for drive-ins.
The Canada Media Fund is not letting the pandemic slow efforts to better serve the industry as a whole.
The independent film distributor has picked up the U.S. distribution rights to director Charles Officer’s crime-noir.
In the newly created role, the former executive director of Pride Toronto will oversee strategies related to enhancing diversity on Canadian screens.
The animation studio will work with Pegram to expand the sales and production strategy for its existing IP library, with content from Heroes of the Golden Masks and The Pixies on its production and development slates.