VIDEO: Kent Donguines, Malachi Ellis, Samantha MacAdam, Renuka Singh and Jadiel Dowlin discuss new decision-makers in the Canadian screen sector and the bumpy road to finance a project.
The national theatre chain reported $228.7 million in revenue during the quarter despite a number of closures and restrictions, with films such as The Batman and Spider-Man: No Way Home driving attendance.
The companies also plan to produce the slate, based on original Wattpad stories, including the The Bad Boy’s Girl by Blair Holden.
Super Channel programs more Mystic for Heart & Home and pairs with Flair Airlines, Corus Studios inks development deal with Alexandra Gater, plus more.
Plus: Justin Ducharme brings Positions to Sundance Institute Native Lab, Oscar-nominated Théodore Ushev is among latest SODEC funding recipients, and more.
The companies’ production partnership will see the horror film debut as a Tubi original exclusively in the U.S. this October.
With the tagline “end the free ride for foreign web giants,” the campaign says Canada’s outdated broadcasting laws are hurting producers, broadcasters and stories.
Geneviève Albert’s Noémie dit oui and Jason Brennan’s L’Inhumain make the list in their debuts, while Norbourg leads in its second week.
Plus: The Fantasia and Blue Mountain film festivals share their Canadian premieres, and the National Screen Institute names Indigenous participants for two programs.
A week-long trade mission to Germany, Sweden and the Netherlands began with the reopening of a digital media incentive between Canada and the German region of Berlin-Brandenburg.
The feature animated doc about a hack of Chinese state TV won the Hot Docs Audience Award in addition to the first-place $25,000 Rogers Audience Award for Best Canadian Documentary.
The program, kicking off its 21st edition this week, now has two streams — series and features — unfolding over three months.