German distributor ZDF Enterprises has boarded worldwide sales rights, excluding Canada, for the docuseries, which will have its Canadian premiere on Crave.
The B.C.-based prodco is founded and co-owned by Indigenous producers Tania Koenig-Gauchier and Shirley Mclean, with its first production set to roll in the spring.
The company’s overall revenue in 2020 fell 74.9%, but CEO Ellis Jacob says the company is “well-positioned” for “inevitable resurgence”.
21 Black Futures producer and Obsidian Theatre artistic director Mumbi Tindyebwa Otu shares how the hybrid theatre and film model struggles to become financially sustainable.
In competition at the virtual festival is Martin Edralin’s narrative feature Islands, Jennifer Holness’ doc Subjects of Desire and CBC Gem series For the Record.
Updated: Telefilm has set the opening date for the $100 million short-term compensation fund, announced by Heritage Minister Steven Guilbeault yesterday.
The grants were provided through the Indigenous Development Program and the Solidarity Fund, run in partnership with REMC and BIPOC TV & Film.
The layoffs were revealed by an internal memo from Steve Bertram, president, film and television, and impact teams in “several territories.”
The CRTC has revoked the broadcast licence for Comedy Gold, which the animation company acquired from Bell Media in 2018 to launch a kids and youth linear channel.
The former RIDM executive director will step into the role previously held by Patrice Lachance on Feb. 22.
Playback has learned the series’ producers are looking for a new U.S. broadcaster after its cancellation at Syfy, with fans back on the campaign with #FiveForWynonna.
The U.S. streamer has launched a pitch program with the Indigenous Screen Office, giving racialized creators a chance to pitch scripted and unscripted projects to Amazon Studios executives.