The newly unveiled, $450,000 Hot Docs-Slaight Family Fund will support development and production for music-focused domestic documentaries.
The company outlined a two-phase plan, but says Cirque management has “rebuffed” its attempts to undertake a detailed financial analysis.
Despite ongoing uncertainty around COVID-19, the company said learnings from the past two months will allow it to significantly expand its production pipeline.
The newly released report projects that 80% of VFX, animation and post-production studios will run out of work by August and more than a quarter of the workforce will be laid off.
The company has reduced senior managerial salaries by 20% and furloughed some employees in its U.K.-based WildBrain Spark division, though its production pipeline remains unaffected.
While many aspects of the reopening remain in flux, MFM’s Rachel Rusen Margolis said it signals to producers that they can begin to plan for productions to return to Manitoba.
The L.A.-based company inked a 10-movie production deal with Untitled Entertainment, with more than half of those set to shoot in Winnipeg and Vancouver.
The organization says the “small but important” change will help streamline the review and certification process for qualifying production expenditures.
Led by digital creator and associate professor at FCAD, Ramona Pringle, the program aims to stimulate creativity through a series of workshops and micro grants.
Film commissioner Marguerite Pigott says the Film Office is working with other commissions to ensure “as seamless a production experience as possible” when filming resumes.
The J.J. Johnson-created series, to be shot entirely on webcam and smartphone, is part of a slate of short-turnaround YouTube originals launching in May.
Overall revenue climbed 28% to US$5.8 billion, with Tiger King, Love is Blind and Ozark propelling viewership during the pandemic.