In partnership with Telefilm Canada and with assistance from the Bell Fund, ‘Being Seen’ will determine how underrepresented communities want to be seen, represented and provide a set of directives for the industry.
WIFT Toronto adds three new members to its board of directors and horror festival Blood in the Snow launches a development lab for underrepresented voices.
“In these difficult times, we couldn’t be more proud to support a creative, dynamic and innovative industry that brings culture to the forefront,” said Guilbeault in a statement.
Led by Vancouver’s Magnify Digital, the Audience Development Pilot Project aims to share audience insights to increase the discoverability of future Canadian content, and more.
Media consultancy firm UM Canada’s digital director Dennis Truong explains four forces that could take shape and the implications for media planners and buyers.
Death of a Ladies’ Man (pictured) wins over the Cinequest jury, while FIN Atlantic reveals changes to its annual copro and co-financing market.
The IPF and CMF are providing a combined investment of roughly $600,000 and consultation advisory services for these selected short-form scripted series.
Lorna Withrington has been appointed to the new role of VP, development – animation, based in Toronto, to build out the company’s animation slate.
The New York-based prodco will develop and produce content based on true events, both for unscripted and scripted.
Canadian cinematographers, music supervisors and more see gold, while Blue Ant Media’s FAST expansion continues.
Lauziere, who also serves as chief content officer of Quebecor Content, will be away for up to six months due to family reasons.