The Grizzlies takes the top spot, followed by Le vieil age et l’esperance at #2 and Havana, from on high at #3.
Attendees of last week’s mission, including Mayor John Tory, discuss how the conversation has changed in 2019 as new streamers launch and Toronto’s infrastructure expands.
A report from Women in View shows that the industry has a long way to go for Indigenous and diverse women, but suggests placing women in senior positions is a key solution.
The documentary from director Brian D. Johnson (pictured) also sees Anthropocene‘s Nicholas de Pencier serve as director of photography.
Line 200 Inc. will provide financing for up to 30% of a film’s budget, aiming to fund between five to 10 Canadian films and copros over the next five years.
Sony Pictures Classics previously picked up the U.S. rights to the Serendipity Point Films copro starring Tim Roth and Clive Owen this April.
Avengers: Endgame takes the top spot, followed by Long Shot at #2 and UglyDolls at #3.
The Grizzlies comes in at #1, followed by Le vieil age et l’esperance at #2 and Havana, from on high at #3.
Launched in 2015, the VOD service acted as a hub for homegrown films and offered curated playlists.
The new production arm of the Grimmfest film festival in Manchester has partnered with Canadian prodcos such as Federgreen Entertainment and Minds Eye.