The Canadian producer-director talks about the making of the story that’s opening Hot Docs, and how it spurred her to rethink the carbon footprint of filmmaking.
The Winnipeg and Toronto-based prodco has also announced a greenlight on season eight of CBC’s Still Standing.
The Parker Andersons / Amelia Parker and As Gouda As It Gets were among the other winners in the Writers Guild of Canada’s virtual ceremony.
Canada Media Fund president and CEO Valerie Creighton writes about the urgent need to act on Bill C-11.
Michael McGowan’s All My Puny Sorrows debuts at No. 2 behind Au revoir le bonheur.
Oscars reflects on his illustrious 50-year career working with stars including Victor Garber and Andrea Martin, and looks ahead to the industry’s future.
The program from the Reelworld Screen Institute will see casting directors, agents, managers and film producers training over the next eight months.
The Banff World Media Festival will welcome 100 Black, Indigenous and people of colour creatives through the Diversity of Voices program, with 25 set to take part in the initiative’s pitch program.
The Roku Channel picks up season two of Children Ruin Everything, From the Vine sells to A Contracorriente Films, plus more.
The funder has also shared a public statement to “oppose the harmful comment that was made during Canadian Screen Week.”
The Telefilm board of directors will begin a search for the next CEO and executive director ahead of Dickenson’s departure on Sept. 9.
The Blue Ant Media production arm is already in collaboration with Cortes and her banner Cortes Filmworks on scripted and unscripted projects.