After more than a decade, Rogers Group of Funds will no longer be a funding partner on the program for feature-length documentary projects.
Boat Rocker Media’s Platform One inks a first-look deal, while eOne names a South Korean licensing agent for Peppa Pig and more.
The post-production firm says the approval will allow it to reduce its long-term debt by half and gain access to around USD$115 million in new financing.
Two months after it was placed in privately appointed receivership, a sale process for the business assets of D Films has been initiated.
Execs said 2019 has been a “transformative” year for the company as it expands its operations and builds on relationships with new and existing streaming entities.
Corus’ Doug Murphy said U.S. players will continue to license content to Canadian companies, despite concerns they will withhold shows for their own OTT services.
A resurgence in TV ad spend propelled yearly revenues to $1.69 billion, while Doug Murphy also discussed the evolution of its specialty portfolio and its direct-to-consumer offering StackTV.
More than 99.9% of the votes cast were in favour of the $5.3-billion transaction, which is still subject to a number of other closing conditions.
Following a slow second quarter in which it posted U.S. subscriber declines for the first time, Netflix rebounded with growth in both the U.S. and international markets.
Harold Greenberg Fund president John Galway on how the Fund is stretching its dollars further through new partnerships and uncovering untapped filmmaking voices.