Blue Ant-owned, Singapore-based Beach House Pictures is producing the wildlife series, set to launch in November 2022.
The Toronto-based role will see Saving Hope and Rookie Blue producer sourcing and developing scripted IP in the Canadian market.
Di Mondo has been upped to EVP, distribution and sales, Canada, and will continue focus on local adaptations of international formats, finished tape sales, coproductions and brand integrations.
Rozon, who joins from TVA Group where he served as VP of productions, operations and technologies, will have oversight of all Sphere Media’s subsidiaries.
As Canadian Screen Week 2021 gets underway, the Canadian Academy’s CEO discusses the need for awards organizations to keep evolving, hopes for future iterations of the CSAs and how the domestic industry must speak with one voice on legislative reforms.
During a CASO panel, animation and post-production heads including Jennifer Twiner McCarron and Dennis Berardi discussed the happy medium of virtual-physical work and what that means for business.
The amended bill does not raise concerns around freedom of speech, according to the review, as Minister of Canadian Heritage Steven Guilbeault and an expert panel including Janet Yale and Michael Geist prepare to go before the committee.
A group of Vancouver-based private investors are financing construction on Big Sky Studios, a new studio facility with three soundstages.
Documentary series My Misdiagnosis is set to debut next month, while true-crime show Heartland Homicide and two other unscripted projects will launch over the next year.
Revenue growth in its consumer products business drove the uptick, propelled by licensing deals from the Peanuts brand.
Committee members voted to pause the clause-by-clause review until Minister of Justice David Lametti, Minister of Canadian Heritage Steven Guilbeault and an expert panel have appeared before the committee.