The Saskatchewan Media Production Industry Association says 73% of those polled in its survey said they are trained and experienced but simply cannot find enough work.
Immigration lawyer Lorraine P. D’Alessio on why it’s wise to have the flexibility to work in the U.S. at a moment’s notice, even when the Canadian industry is booming.
Column: Immigration lawyer Lorraine P. D’Alessio on what social media stars and their petitioners need to consider when looking to work stateside.
Column: Immigration lawyer Lorraine P. D’Alessio discusses the U.S. visa program, which is designed to attract job-creating businesses and can also be used for film projects.
Column: Executives and below-the-line crew members may not consider their talents artistic, but immigration lawyer Lorraine P. D’Alessio urges them to take a closer look.
OPINION: Ryerson PhD candidate and MBA instructor Irene Berkowitz on re-evaluating the Canadian TV drama value chain for the new media landscape.
Immigration lawyer Lorraine P. D’Alessio suggests strategies for entertainment professionals considering expanding to, or working in, the U.S.
Magnify Digital CEO Moyra Rodger weighs in on the discoverability of Canadian content and issues to be addressed at this fall’s proposed Discoverability Summit.
DGC national president Tim Southam questions the omission of directorial talent from the requirements for the CRTC’s new CanCon pilot programs.
Sundance blogger Alan Bacchus talks to the director about writing, financing and finishing his sixth feature (Chorus pictured).
Playback‘s Sundance blogger Alan Bacchus speaks with Pop-Up Porno producer Holly O’Brien about getting three – yes, three – self-financed shorts into the famed festival.