In an open letter to the CRTC, Bell execs say that changing user habits, and the company’s investment in web infrastructure, mean it will no longer manage internet traffic in peak hours.
The measurement service’s inaugural Video Metrix study reveals that Canadians watch the highest number of videos per viewer in the world, ahead of the U.S. and the U.K.
The Toronto-based prodco is Playback‘s Transmedia producer of the year. Read on to find out how they are innovating in media’s newest storytelling space.
The non-profit organization’s president, Anita Adams, talks to Playback about securing the first round of funding for the beta launch of its VOD Canadian film project.
The NFB’s Welcome to Pine Point multimedia story project took home the hardware for Best in Web Series.
Natalie MacNeil’s blog for career-minded women beat out a host of web series and Nathon Gunn’s Social Game Universe for the conference prize.
The U.S. management company will mine the Canadian animation studio’s current slate of characters and storylines to develop new properties for online, mobile, gaming and social media.
The broadcaster secures exclusive Canadian rights to The Confession for its CTV.ca, CTV Mobile and CTV iPad app platforms.
The transmedia series from the writer-director mixes musical numbers and mockumentary storytelling with blogging and social media elements – all in a bid for Broadway.
The popular U.K. cartoon series has a new website, an online store, a Twitter account and a dedicated Facebook page.
In the second edition of a new series covering innovation in the media landscape, we take a look at a new Citroen marketing campaign that puts social media users in the driver’s seat.
The regulator proposes a dual billing system for third-party internet service providers based on flat rates or forecasted capacity.