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Lauren Malyk
Rachel Marcus rises to VP at Guru, overseeing development
Most recently, Marcus co-created Guru’s preschool series Pikwik, which was picked up by Disney Junior for the U.S, Australia, New Zealand, Korea and India in July.
CSAs ’19: Just a Breath Away, The Great Darkened Days top film noms
All five of the projects nominated in the best film category are from Quebec filmmakers, including Maxime Giroux, Sophie Dupuis and Genevieve Dulude-De Celles.
Cyber Group inks int’l deal for Atomic’s The Last Kids on Earth
The Paris-based company will represent all merchandise, ancillary and second-window TV rights for the adventure series.
In Brief: Giant Little Ones wins best int’l film at Goteborg fest
Plus: Mercury Filmworks copro Hilda wins a trio of prizes at this year’s Annie Awards and more.
WIFT-T names Karen Bruce as executive director
Industry veteran Bruce will exit her current role at the Canadian Academy to assume her new post this spring.
CRTC extends deadline for comments on production report
Following two joint requests for an extension, the CRTC has pushed back the deadline for its expanded PNI report.
E.J. Alon joins Telefilm’s Talent Fund
The philanthropist and entrepreneur will lead the private investment fund in the newly created role of director.
CTV sets March premiere for Jann Arden comedy
Bell Media set its midseason schedule, which will include a slightly expanded episode order for The Launch season two.
Producer Karen Powell dies at 59
Over the course of more than 20 years, Powell worked as an entertainment lawyer, financier, independent producer and senior production executive.
JFL, NBC ‘Bring The Funny’
The 10-episode competition series sees Kenan Thompson, Chrissy Teigen and Jeff Foxworthy judge some of the world’s best comedy acts.
Harold Greenberg Fund supports 33 scripts
The funder backs scripts from high-profile and up-and-coming talent including Mina Shum, Charlie Tyrell, Sook-Yin Lee and Akash Sherman (pictured).
Indigenous content needs support to travel: report
A new report from imagineNATIVE looks at the routes Indigenous screen content can take to reach international audiences.
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