Writer-producer Bill Robertson and director Vanessa Matsui explain the years-long process that helped secure financing for the relationship drama.
Jason Soh has been appointed global sales and channels director, APAC, while Max Tang becomes senior manager, content partnerships, China.
The drama on motherhood is produced by Aquatinter Films, Lily Pictures, and Principia Productions.
Former Universal Pictures exec Jean Benoît joins the Montreal-based distributor in the newly-created role to oversee operations and business development in the English market.
Seven producers will each receive a $500 bursary under the fund, named in honour of the late Canadian producer.
Terror Train 2 marks the second film in the franchise from Incendo and Tubi after their remake of the 1980 Canada-U.S. copro cult classic.
The CMF-Ontario Creates Pilot IDM Futures Forward Program will provide up to $20,000 of early-development support for digital media projects from emerging and equity-deserving companies.
Equity leaders and filmmakers discussed how organizations such as the Black Screen Office and the Indigenous Screen Office are critical to highlighting systemic issues as funders try to create a fairer system.
The competition series’ eighth season soared to the top of the TV charts during the summer with a season average of 1.6 million viewers.
British producer Sam Barcroft has also joined the company’s advisory board as it builds its new long-form content division, Underknown Studios.
Gigi Morin, Lorri Charnetski and Kathy Ceroni offer legal services in all areas of the entertainment and media industries at Morin Charnetski Ceroni LLP.
The veteran industry director becomes government film commissioner and chairperson, replacing Claude Joli-Coeur.
NBC’s Saturday Night Live conquered the overall TV demand chart, dethroning HBO’s Game of Thrones for the week of Nov. 14 to 20.
Outgoing commissioner Claude Joli-Coeur explains to Playback Daily why the data collection was delayed by one year and addresses the hiring committee controversy.
The film is currently in production in the Greater Toronto Area and will wrap before the end of December.