TIFF doc programmer Thom Powers is predicting an increase in the number of doc deals done at the Toronto festival this year, with The Act of Killing (pictured), a doc backed by both Werner Herzog and Errol Morris, among the hot tips.
The tie-up for make-and-sell film, TV, digital and gaming content comes as the phone giant faces mounting industry opposition to its takeover of Montreal-based Astral Media.
The winner will come from among Pierre Even and Marie-Claude Poulin, Juliette Hagopian, David Hamilton, Daniel Iron and producer/director Michael McGowan.
The Canadian director opens up to Playback about dealing with “unpredictable” Asian politics and the “nerve-racking” ritual of debuting one of her films at the Toronto International Film Festival.
Dr. Seuss’ The Lorax is the top-selling DVD for the week of Aug. 6 to Aug. 12, 2012.
The Big Bang Theory tops TV for the week of Aug. 13 to Aug. 19, 2012.
Scott Vrooman and Craig David Wallace, whose series Picnicface and Todd and the Book of Pure Evil were cut earlier this year, weigh in on the challenges facing Canadian TV creators.
Awards for the sketch comedy show (pictured) include best TV show and best writing, while the upcoming theatrical feature won best film and best direction.
He headed the board from 2001 to 2006 when the agency was adjusting to $26 million in cuts sustained throughout the 1990s.
The Huntsville festival, which runs Sept. 20 to 22, will screen 31 Canadian films, including Chef De Meute from Chloe Robichaud (pictured) and Miranda De Pencier’s Throat Song.
Former Cinesavvy managing director Abhi Rastogi finds a U.S. platform for his new distribution outfit and early titles like Sally El Hosaini’s My Brother the Devil (pictured) and Alexandra Berger’s Danland.
Los Angeles-based Canadian screenwriter Donald Martin is attached to write the script for the Canada-U.K. co-production with Bedlam Pictures.
The latest move in Canada’s TV sports space will see theScore network rebranded under the Sportsnet brand.
Producers “should adopt a philosophy of experimentation” towards crowdfunding, the CMF report stated, “given the lack of clarity regarding legal, financial and policy issues.”
The horror film from Vancouver-based IndustryWorks screened at Cannes earlier this year.