Continuing to expand its global distribution network, the Canadian entertainment co will distribute film product across the U.K. and Benelux in all media.
“I’m kind of glad it was 11 years later. I would have been a complete wreck,” Dawson told Playback after the trophy-giving.
The two companies will bring two films each to the slate deal, with the first to be The Legends of the Underzoo, an Arc Productions property from a screenplay by Kevin Almeida and Jeff Treppel.
The U.S. distribution deal comes as the the James Cromwell-starrer debuted at the Toronto International Film Festival.
President and CEO George Cope called out the opposition to the company’s acquisition of Astral Media, while Astral president and CEO Ian Greenberg said the sale will let a Canadian media company compete on an international level.
The deals see Ascot-Elite distribute Casey Walker’s rom-zom-com to German theatres in 2013 while New Select acquired the film’s Japanese home entertainment rights.
The WGC, DGC, ACTRA and Documentary Organization of Canada expressed concern about voice diversity and Bell’s proposed TV benefits package.
The St. John’s-based director took home $4,500 for Not Over Easy (pictured), following her win in the RBC Emerging Filmmakers Competition at TIFF last week.
In the second installment of a two-part Q&A, programmers Shane Smith and Nicholas Pagee talk about the future of interactive cinema and opps for Canadian creators.
The longterm deal will see the next three films in the Hunger Games series distributed in the Aussie market.
In the final Q&A in our series, associate director of Canadian programming Steve Gravestock talks about buyer interest in Canadian films and themes in this year’s lineup.
The draw of Hollywood A-list actors and international financing has the Quebec director looking to possibly make a movie in Toronto or stateside (Briand’s Liverpool pictured).
Alliance Films already released the workplace comedy from director Warren P. Sonoda and Buck Productions into the Canadian market.
Home Again (pictured) director Sudz Sutherland and War Witch director Kim Nguyen say audiences are increasingly interested in stories from beyond Canadian borders.