As the race for brand-defining shows grows more intense, creatives and executives are facing new challenges to traditional business models.
With three in-development projects already on the slate, the new partnership will target global reach with a women-first content strategy.
At Toronto’s Empire Club, Creative Canada took a backseat to tax talk but Minister Joly reaffirmed her mission to update the Broadcasting Act to reflect the new digital reality.
The CMPA digs in to find the answer as the Alberta-shot series celebrates its 10th anniversary on air.
The drama is produced by Entertainment One, Sienna Films, Frank Spotnitz’s Big Light Productions and Budapest-based Korda Studios.
The company released a public statement Tuesday morning in reaction to criticism over its agreement with the Canadian government to invest in the cultural sector.
The purchase of the unscripted distribution firm is Kew’s first since it closed its acquisition of five Canadian prodcos in March.
As well, filmmaker Kathleen Hepburn won a trio of awards for her debut feature Never Steady, Never Still.
Following a disappointing fiscal 2017 report that saw the company’s share price drop, the DHX board is weighing its options.
With details still to be revealed, producers welcome CMF changes and find cautious optimism in Netflix’s investment, while some broadcasters fume over the streamer’s status quo.
In addition to revealing a $500 million investment – and a new local production house – from the SVOD, the government also commits to stabilizing CMF funding.
The Toronto prodco behind Hello Goodbye thinks it has the recipe for a breakout original Canadian format.