Hamilton (pictured), most recently Temple Street’s senior director of factual entertainment, takes on the role of VP of creative and development at Peace Point Entertainment.
Canadian filmmaker Harold Crooks discusses his tax haven-expose The Price We Pay, which premiered last week at TIFF in Toronto.
The territories that have purchased Tessa & Scott from Distribution360 include France, Germany, Italy, Malta, Cyprus and Luxembourg.
An audience of 2.8 million tuned in to Saturday’s match, with audiences for all games tracking 60% higher than in 2010.
Durocher (pictured) will help V Media Group enter a new chapter as the company awaits CRTC and competition approval of two French-language music channels acquired from Bell.
From our print issue: Blue Ant’s EVP of programming and production tells Playback what the indie broadcaster is looking for as it expands its original programming slate.
From our print issue: how a subset of highly engaged fans helps Canadian genre series’ earn international buzz and worldwide sales.
From our print issue: Playback catches up with the now-former NFB head to discuss his concerns about Canada’s screen industries.
The Saskatchewan firm has licensed the cult series branding from CBS Interactive to fill a void in the still-unsaturated Trekkie mobile space.
Programming details on the mid-season debuts of the three original Canadian series, plus two new unscripted half-hour premieres on Travel + Escape.
Director Claudia Llosa’s latest award contender is a Spain-Canada-France coproduction filmed in Manitoba. (Jennifer Connelly pictured.)
The Vancouver-born director (pictured, centre) will develop and direct the as-yet unnamed action flick for Lionsgate.