Hot Sheet: Top 20 Programs (Sept. 27-Oct. 3, 2010)
Not since Seagrams acquired a controlling stake in MCA in 1994 has a Canadian company been on the verge of acquiring a Hollywood studio.
The Montreal International Documentary Festival (RIDM) is to open its 13th edition on November 10 with Les Fros (The Foreigners), a film about northern Canadian logging camp workers by Stephanie Lanthier.
With the information sitcom Stock & Awe debuting on BNN, Canada’s specialty business channel, series co-creator and host Hilary Doyle naturally is nervous.
Quebecor Media and Sun Media have made it official: they are no longer asking the CRTC for special treatment to launch Sun TV News into the Canadian market.
The Vancouver International Film Festival has awarded its Dragons & Tigers Award for emerging Asian filmmakers to the Japanese drama Good Morning to the World!, by director Hirohara Satoru.
After less than three weeks in theaters, award-winning Quebec director Denis Villeneuve’s Incendies has pulled in one million at the box office, a major feat for an auteur film with hard-hitting subject matter.
The Showcase back-door pilot Befriend & Betray from DHX Media and screenwriter Michael Amo (The Listener) has started shooting in Toronto, with Byran Mann and Tim Rozon in lead roles.
The National Hockey League has come up with a novel way to promote its TV sport franchise: recruit comic book legend Stan Lee to create a roster of superheroes.
It’s hard to imagine that 3,000 pounds of cornstarch and water can support human weight, let alone allow someone to walk clear across it. But if there’s a seemingly impossible feat requiring scientific intervention, Daily Planet is on it – and has been on it for the last 15 years.
The Harold Greenberg Fund has announced the latest round of funding for a slate of projects under its script development program, including Deepa Mehta’s Midnight’s Children and The White Circus from Chris Lavis and Maciek Szczerbowski.
A question mark remains over CTV’s loss-making A Channel stations after the CRTC said no to reducing their Can-con requirements from 60% of the broadcast year to 55%, in line with the regulator’s new 2010 TV policy.