The executive has helped Blue Ant Media become a global leader in the FAST sector.
The drama series is produced by Vancouver’s Sepia Films and is based on L.R. Wright’s Karl Alberg book series.
Black Screen Office co-founder and executive director Joan Jenkinson on the tools available to fight anti-Black racism in the industry.
Fellow Prime Video superhero series Invincible has maintained the No. 1 spot on the digital originals and overall demand charts.
Plus: Canadian films receive support from the latest round of the New Dawn Fund, and 500 Days in the Wild wins over Whistler audiences.
Cheng has been appointed as VP of finance and facilities as CFO Rob Searle readies for retirement.
The National Screen Institute CEO has been a key collaborator on initiatives providing career-changing opportunities for screen industry members.
How the short-form project from Madison Walsh and Michael Musi became a 10 x 30-minute series with a simultaneous launch on CBC Gem and ITVX.
Bell Media’s content head shares how key deals have helped expand the broadcaster’s commissioning strategy.
The first data set shows the number of hours viewed in a six-month period for more than 18,000 titles, offering a snapshot of acquired and original Cancon performance.
The former Bell Media development executive has been appointed as the Toronto prodco’s head of development.
The film is produced by B.C.’s Musubi Arts and Experimental Forest Films in partnership with Tokyo-headquartered Flag Inc.
Clement Virgo’s drama feature went from a creative risk to breaking records at the Canadian Screen Awards.