Oz The Great and Powerful follows the yellow brick road to the top box office spot for the week of Mar. 8 to Mar. 14, 2013.
The Congo child soldier drama (pictured) earned eight trophies after sweeping the film categories at the inaugural Canadian Screen Awards.
Big Bang tops TV for the week of Mar. 4 to Mar. 10, 2013.
The final installment of the Twilight franchise, Breaking Dawn Part 2 is the top-selling DVD for the week of Feb. 25 to Mar. 3, 2013.
The facility in Montreal’s Mile End neighbourhood is jointly operated by Soner Rock Films and Blackboard Pictures.
Co-exec producer Sam Dock of Cream Productions tells Playback about finding the eclectic mix of people living and working in Palm Springs.
Shafer, an industry veteran who formerly worked for CBS Television Studios and 20th Century Fox TV, will be based in Los Angeles.
The Ontario Securities Commission is considering changes that would let content creators issue company shares as a crowdfunding tool. (Interactive Ontario CEO Donald Henderson pictured).
The sales, as part of the complex Bell-Astral deal, would make Corus the sole owner of these properties, contingent on approval by the CRTC.
RTR Media executive producer Kit Redmond (pictured) tells Playback how getting into the sandbox to launch an instructional TV community on YouTube is setting her indie production house up for the future.
The Resurrection of Tony Gitone and Please Kill Mr. Know It All (pictured) will premiere on Astral’s pay TV service later this year following theatrical runs.
McGowan, a member of Canamedia parent company Magic Lantern Media’s senior management team, will advance the company’s overall reach in new digital and non-theatrical markets.
The Quebec media giant saw net income fall due to one-time items, days after Groupe Videotron boss Robert Depatie was named to replace Pierre Karl Peladeau as head of the Quebec media giant.
The regulator issued a rare mandatory order to have the broadcaster fall in line with the original mandate for the specialty channel.
Discovery Networks Canada topper Paul Lewis discusses how the effects-laden sci-fi program uses fact and fiction to tell a more immersive story.