Media instructor and PhD candidate Irene Berkowitz says the recent Aereo court case, media coverage of Canadian TV and a “SWOT” analysis all suggest yes.
After chairing the branded content jury in Cannes, OgilvyEntertainment’s Doug Scott says it’s time to “practice what I preach” through his New York-based prodco ccMF Productions.
How these 10 companies are using strategic partnerships to create scale, buzz and reach in today’s fragmented mediascape.
The longtime Bell Fund executive director is ending her 17-year career with the organization but will remain as CEO of the Independent Production Fund (IPF) and Cogeco Fund.
The pubcaster’s latest five-year plan outlines a move away from conventional TV with fewer supper-hour newcasts and reduced in-house production.
Grindstone founder Paul Zimic (pictured) will join Juice as partner and become president, sales and acquisitions.
Nearly a third of English-speaking Canadians subscribe to Netflix, while the penetration of IPTV service continues to climb, says a new Media Technology Monitor report.
Canadian entries into the festival include Insight’s But I’m Chris Jericho! (pictured) and Rockie-award-winning Project-M.
The new rehearsal, studio and event space marks the final phase of the centre’s $12 million Windfields Campus Improvement Project.
The National Film Board of Canada is teaming up The Guardian to combat digital fatigue with the interactive project Seven Digital Deadly Sins (pictured).
The show, which follows a group of storm hunters based in Regina, received support from the Bell Fund’s TV development online program.
The Toronto-based prodco has appointed showrunner and veteran live-event exec Claire Adams (pictured) for the role of head of content.