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Film
Industry orgs adopt Canadian Creative Industries Code of Conduct
Born out of the November roundtable meetings, the Code sets out to ensure safety and respect are the norm in work and work-related environments.
The unusual suspect: Carolle Brabant
From Playback magazine: A look back at the career, challenges and achievements of Telefilm’s exiting executive director.
NFB close to gender parity: report
The funder saw 47% of its projects directed by women compared to men (38%) and a spike in the number of mixed teams for 2017 to 2018.
Melissa Kajpust upped at Super Channel
With the promotion, Kajpust’s remit will expand to include all U.S. and international program acquisitions.
WIFT-V unveils genre contest winners
Reem Morsi’s Fish and Nicole Steeves’ The Method were among the projects selected for the genre concept competition.
New fund launches for sexual-violence support services
The Aftermetoo movement is partnering with the Canadian Women’s Foundation to launch the fund, which aims to raise $7 million.
CSAs 2018: Women take the stage
Awards season is traditionally dominated by men, but this year’s Canadian Screen Awards shines a spotlight on more diverse talent.
Playback Spring 2018: Awards, amazing women and Canada’s kids biz
Playback‘s first print issue of the year hits mailboxes this week, packed with features on the issues shaping the industry right now.
HGF distributes $111K through Shorts-to-Features program
Writer/director Carmine Pierre-Dufour’s Mahalia Melts in the Rain, produced by Colonelle Films, is among three projects to receive funding.
Screen Nova Scotia appoints new interim exec director
Laura Mackenzie (pictured) will fill the not-for-profit industry organization’s exec director position while a permanent replacement is found.
Hot Sheet: Top 10 films Feb. 23 to March 1, 2018
Black Panther leads the pack, followed by Game Night at #2 and Peter Rabbit at #3.
Hot Sheet: Top 5 Canadian films Feb. 23 to March 1, 2018
Nelly et Simon: Mission Yeti is at #1, while Pour Vivre Ici and Hochelaga land at #2 and #3.
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