Policy analyst and media researcher Irene S. Berkowitz issues a “call to action” to find common ground between legacy and new media creators, noting their divide is a false fight.
Quebec drama Au revoir le bonheur leads the list, followed by The Lion and the Wolf (Le loup et le lion).
The veteran media and entertainment executive replaces Bruce Harvey, who moved to Vancouver to work in production and be closer to family.
The short We Are Not Speaking the Same Language also won an honour at the Montreal festival, which features films on art.
The live-action series about a group of whiz kids who solve mysteries using math and science launched March 26 on streaming platforms and France 4.
Boat Rocker will work with merchandise licensing partners to expand its consumer offerings in the U.K. following the April premiere.
Patrice Vermette took a trophy for production design on Dune while director-producer Ben Proudfoot won Best Documentary Short for The Queen of Basketball.
The 180-hour programming list includes new acquisitions within lifestyle, factual and kids content.
Toronto is also reporting a record of more than $2.5 billion in direct spending in film, TV and digital media productions last year, surpassing 2019 figures.
Netflix’s The Last Kingdom jumps to No. 3 on the digital originals list, while The Mandalorian overtakes Star Trek: Picard to lead.
The increase to the province’s film and TV production grant program is expected to generate more than $33 million in production volume and 600 new jobs.
The CRTC says Rogers must contribute $27.2 million to initiatives and funds that benefit the Canadian content system – five times more than it had originally proposed.
Plus: Quebec boosts presence at Series Mania Forum, Greater Hood Productions launches, Spike & Sadie Media acquires 10 projects from Breakthrough Entertainment, and more.