High rollers bound for the L.A. screenings are betting that a bad advertising market will temper prices for…
Heritage Minister James Moore on Wednesday offered support, but no new concrete initiatives, for the ailing over-the-air…
CBC executives urged the commission to establish a level playing field between conventional broadcasters and specialties, as the pubcaster…
Tom Mazza is the new EVP and head of worldwide TV for Cookie Jar Entertainment, responsible for…
In a dramatic reversal, California authorities have dropped all bank fraud charges against former Peace Arch Entertainment CEO…
Canwest Global head Leonard Asper echoed a warning heard earlier this week from CTVgm’s Ivan Fecan — telling the CRTC that conventional broadcasters will…
Despite the economic doldrums, the Canadian box office is up so far this year — by 14% to 16%, depending upon the week — according…
Rachel Nixon is the new director of digital media for CBC News, hiring the BBC vet away from…
The makers of primetime series including Flashpoint, HBO’s Hung and A&E’s reality Intervention are set to lead…
Jimmy Two-Shoes has been picked up by the Cartoon Network in Asia and Australia, taking…
On March 23, Telefilm Canada announced it would implement a set of ‘Best Practices’ for the English-language selective component of the 2009/10 Canada Feature Film Fund investment cycle.
Many journalists remarked that Quebecor Media owner Pierre Karl Péladeau grinned as Heritage Minister James Moore launched his idea for the Canada Media Fund.
The Canadian media industry needs better systems of measuring and analyzing digital user data if it is ever going to fully exploit emerging platforms. At least that was the consensus at IN 09: The Interactive Exchange, Interactive Ontario’s digital media conference held in Toronto in March. According to the best minds attending, Canada lags far behind the U.S. in this regard.
You’d expect someone whose career has revolved around numbers and the administration of stodgy bodies to be, well… rigid. (Hell, her first job was in the bowels of Ottawa’s bureaucracy.) But Andra Sheffer exudes enthusiasm and has a remarkably lithe approach, most recently demonstrated in her role as prime mover in funneling much-needed millions to drama producers.
Over the past quarter century, Atom Egoyan has accomplished something few others have – he has sustained a career making independent feature films that screen around the world. Given the collapsing global market for indie movies, it is a feat even fewer of the younger generation of filmmakers will be able to emulate.