“This combined entity will move the needle for [producers] in ways they haven’t seen,” says eOne CEO Darren Throop.
In addition to coverage of Playback’s Canadian Film & TV Hall of Fame and 10 to Watch, the issue features pre-event TIFF coverage and looks into the success of prodco Shaftesbury and genre specialty channel Space.
The deal includes TV, radio, online and mobile rights for the upcoming amateur sports event to be held in Toronto.
The primetime cop drama, which airs on Global in Canada and ABC stateside, is shooting in Toronto.
The regulator has a three-prong plan for a better communications system that includes tracking content creation and ensuring availability of service providers and consumer protection from telemarketing.
Ron Mann’s distribution company will release The Ambassador (pictured) for theatrical, home video and multi-platform as the first film in the deal.
“It’s not common yet. But this is the future of the industry,” festival artistic director Cameron Bailey said while introducing the U.S.-China co-production.
The Inescapable producer was honoured by his peers Thursday as the Toronto International Film Festival got underway.
The deal, which was first revealed as on-going negotiations last May during the Cannes Film Festival, will see eOne bolster its Canadian and U.K. operations and get new business in Spain.
The Blue Ant Media channel is launching a rebrand and campaign this October to better target a younger male audience.
The buddy comedy stars Robin Nielson, Viv Leacock and James Wallis, and is shooting in Vancouver and Fernie, B.C.
As the Toronto festival kicks off, veteran Canadian/Swiss filmmaker Peter Mettler (pictured) talks about attempting to film the impossible with his latest documentary The End of Time.
The coming of age film is directed by Shelagh Carter and had an award-winning run on the festival circuit.