The CMF is eliminating the 5% Above-Threshold licences factor and shifting that factor to the Audience Success – Total Hours Tuned factor for 2013-2014.
TV programs associated with low budget digital media productions will be eligible for a top-up of up to 75% of the broadcaster licence fee, to a maximum of $75,000.
Also taking top honours during the ceremony Tuesday night were Smokebomb Entertainment, Blue Ant Media, ZED.TO, CBC and iThentic/3 o’clock.tv and others.
The French-language app was first developed by TV App Agency, a U.K.-based company, in 2010.
Non-fiction projects, including adaptations of these successful English-language programs, dominate the latest batch of Quebecor Fund’s main television production assistance program.
The best cross-platform fiction nominee was tied to Cinemax’s new series and was supported by not only social media pushes but also out of home advertising.
The Toronto indie developer has released Super Snack Time, an app for kids ages nine and up, and inked a licensing deal with toyco Monster Factory.
While Polis (pictured) has left his position as Wildbrain’s president and DHX’s EVP of branded entertainment and consumer products, he will continue to lead DHX’s transmedia kids IP UMIGO project.
Among the projects to get commitments from the fund’s experimental stream are a live online talent contest and a downloadable 3D animation suite.
The NFB’s Loc Dao says the interactive doc project (pictured) has been studied for pushing the boundaries of the genre.
CTV in October ordered the standalone digital series, which will launch with an interactive, choose-your-own-adventure app, from the Shaftesbury’s digital arm.
The first in a series leading up the awards on Dec. 4, Playback checks in with Moosestash Films to break down their nominated non-fiction project The Sticking Place.