The Calgary prodco has dropped genres outside of its core lines of business as it looks to build on the breakout success of Wynonna Earp.
The film board commits to more funding for Indigenous-led projects and representational parity across its workforce.
With a focus on MOWs, factual and producing for the international marketplace, the Montreal prodco climbed the ranks last year.
For those who thought a knock-out marketing campaign isn’t possible on an indie-filmmaker’s budget, we challenged two agency execs to prove it’s doable.
Execs from NBC, Lifetime and Discovery weigh in on what shows they’re looking for and how they’re trying to distinguish their brands in a crowded market.
The Canadian Heritage Minister also revealed when she’ll present her highly anticipated cultural policy framework.
A panel of Canadian broadcasters (and one producer) tackled Cancon funding and the ever-growing OTT threat on day one of the festival.
Rogers Media execs break down the channel’s more “balanced” schedule and its fan-favourite approach to programming.
The Blue Ant-owned digital content studio created the 72-video slate in association with the pubcaster.
Six more episodes of the thriller are scheduled to launch as part of CTV and Super Ecran’s 2017/18 season.
From what countries are buying what to where we’re seeing the greatest opportunities for export, two reports from the CMPA identify key trends in global sales of Canadian film and TV.