Tracey Pearce, SVP specialty and pay at Bell Media, on why the Space series is shifting from its three-season Saturday night slot.
The sketch comedy series won a Canadian Screen Award at Sunday night’s broadcast gala.
The overnight ratings for the Canadian Screen Awards special were 31% higher than eTalk’s average overnight audience.
After nearly 23 years with the equipment supplier, St. Amour will step down from his role of VP commercial production services on May 27.
Executive producer Peter McBain and Matt Charlton, founder of publicity firm Pigeon Row, discuss how a revamped social media strategy uncovered a new demo of viewers.
Jameson Parker will work with the company’s director of production and development to build out Brighlight’s slate of originals.
The doc, which follows Shad (pictured) as he travels to the Bronx and Harlem to talk to some of hip-hop’s originators, will screen in the Special Presentations program.
The awards show lost about 20,000 overnight viewers over last year but stays relatively steady on its three-year average.
The new initiative from WIFT-AT and Ingrid Veninger will support the projects of five women filmmaker teams from Atlantic Canada.
The CW renews its lineup of originals, including the Take 5/Whizbang/CBS production and a host of British Columbia-shot series.
Blue Ant International has picked up 75 new hours of content, including Our House Media’s Airport Impossible and Gryphon Productions’ Bigfoot Commandos.
The Ireland/Canada copro took home nine awards Sunday evening, with Schitt’s Creek and Hyena Road winning three prizes each.