“I’m kind of glad it was 11 years later. I would have been a complete wreck,” Dawson told Playback after the trophy-giving.
The U.S. distribution deal comes as the the James Cromwell-starrer debuted at the Toronto International Film Festival.
In the second installment of a two-part Q&A, programmers Shane Smith and Nicholas Pagee talk about the future of interactive cinema and opps for Canadian creators.
In the final Q&A in our series, associate director of Canadian programming Steve Gravestock talks about buyer interest in Canadian films and themes in this year’s lineup.
The draw of Hollywood A-list actors and international financing has the Quebec director looking to possibly make a movie in Toronto or stateside (Briand’s Liverpool pictured).
Home Again (pictured) director Sudz Sutherland and War Witch director Kim Nguyen say audiences are increasingly interested in stories from beyond Canadian borders.
Swiss-Canadian filmmaker Peter Mettler’s documentary The End of Time (pictured) has been picked up by First Run Features for U.S. distribution, with deals also penned with distributors in Poland and Australia.
In the first installment of a two-part Q&A, TIFF programmers Shane Smith and Nicholas Pagee discuss market interest in gaming and digital projects and cross-sector collaboration.
Co-directors Jason Lapeyre and Robert Wilson and producer Lewin Webb talk to Playback about the challenge of securing distribution for a film that doesn’t fit inside a conventional niche market.
The Toronto-born director’s feature takes North American bow at the festival and follows a string of shorts screened previously in Toronto.
Following the inaugural Asian Film Summit on Monday, TIFF artistic director Cameron Bailey talks about the opportunities for Canadian filmmakers across the Pacific.