With appeals behind them, there is nothing between the owners of Toronto’s two new over-the-air stations and their launch dates but clear sailing and an endless sea of details.
Montreal: Deluxe Film Laboratories and Technicolor, the two giants of the film processing industry, have deepened their worldwide battle for market share with the strategic opening of new facilities in Toronto and Montreal.
AAC sheds post facilities
It’s time for the feature film industry in Canada, and public sector agencies that serve the industry, to consider the notions of duality and uneven development in the marketplace.
Asked should Telefilm set up individualized funding envelopes for Canadian broadcasters, 48.08% of respondents voted yes, 51.92% voted no.
In Playback’s Canadian Talent Report in the June 24 issue, the feature Tennyson’s Wake was cited as one of writer Tassie Cameron’s career hightlights. She is actually the story editor on that script and Tracey Izatt is the writer. Also, Cameron is one of eight writers on Hottest Night of the Year.
With HIT Entertainment in the process of taking over Gullane Entertainment, the future relationship between the Thomas the Tank Engine owner and Canadian associate Cambium Catalyst International remains in question.
Montreal: Most recent figures from Statistics Canada indicate revenues for specialty television rose to $1.2 billion for the 12-month period ending Aug. 31, 2001, up 13.9% from 2000. Specialty TV’s share represented 26.6% of total television industry revenues of $4.5 billion in the period, compared with only 19% three years earlier.
Montreal: Quebec producers in the APFTQ are voicing strong opposition to broadcaster-affiliate access to the selective component of the Canada Feature Film Fund.
The Ontario Media Development Corporation’s board of directors has appointed managing, marketing and communications veteran Michel Frappier to replace Adam Ostry as the ageny’s new CEO, effective July 2.
With SIGGRAPH 2002, the digital graphics industry’s premier trade show, fast approaching, hardware and software manufacturers are scrambling to be ready with their latest product and strategy announcements.
Several years ago, post-production and animation/F/X shops would pay large sums to acquire the industry’s premier hardware and software, and wear this like a badge of pride. Companies came to be known as ‘Maya shops’ or ‘Softimage shops,’ or they would promote their expensive infernos or flames. Shops that had the most cutting-edge gear would be perceived to produce the best work, they reasoned.
The battle among editing manufacturers for the hearts and minds of filmmakers is in full swing.
Stephen Barden is a supervising sound editor at Sound Dogs Editing and Design Group. The Toronto audio post shop’s credits include Men With Brooms, Treed Murray, Blizzard and Requiem for a Dream.
Montreal: DSI Datotech Systems of Montreal hasn’t set out to reinvent the mouse, just replace it – specifically in the area of 3D applications. The new tool is a multiple-point hand-based gesture interface called the HandGear touchpad.