TV manufacturers and U.S. cable operators have agreed to eliminate set-top boxes for digital service, allowing cable to be directly plugged into digital sets, a pact that has ignited fears over the prospect of increased digital piracy on both sides of the border.
OMNI to spend $50 million
Vancouver: Domestic producers on the West Coast will have to be satisfied with development funding, skills enhancement and distribution support initiatives from British Columbia Film in 2003, unless the provincial government substantially boosts its annual allowance in the next budget beginning April 1 – an unlikely scenario.
Meet the new kid on the block. He’s eight months old, likes improv comedy and Aboriginal storytelling, and has $15 million to spend.
Montreal: Global Vision is adding audio post-production and dubbing to its technical services palette with the acquisition of two established operations, Studio Concept and Audio-Telepoint. Studio Concept, owned by musician Guy Trepanier, specializes in dubbing and ADR. Audio-Telepoint specializes in audio post, including sound design, sound editing and folly.
Canada’s film and television sector will get a snapshot of the breadth and depth of the industry in September when a new study sponsored by Women in Film & Television Toronto is scheduled for publication.
The Toronto Documentary Forum, an annual international pitch session held at Hot Docs, has proven invaluable to doc makers and commissioning broadcasters alike. A recent exit poll indicates 50% of the 36 projects pitched in May have since managed to secure additional financing as a result of their participation in the forum.
* Toronto’s Portfolio Entertainment has appointed Anita Simand as VP of creative development. Simand will be responsible for the development activities of the company’s current TV projects. She will also pursue new production opportunities for the kids, family and primetime TV market.
The Sundance Film Festival, considered by many the world’s premiere indie film fest, has announced its 2003 schedule, and several Canuck flicks have gotten the nod.
With the passage of Bill C-11 into law Dec. 12, the ball is now in the CRTC’s court.
Before joining Playback, I spent time working as a stringer out of New York for Marketing Magazine and a couple of years writing and editing for Strategy Magazine.
Who’s posting what for whom
There has been much talk lately about the production slowdown in Canada, which has made it increasingly important for Canuck F/X shops to keep the U.S. projects shooting here posting here as well. Current volumes at four F/X houses indicate that they have been successful in getting the word out down south.
New technologies such as HD, in conjunction with more sophisticated color correctors, are making skilled colorists even hotter commodities as some directors and directors of photography begin to favor post-production solutions over in-camera approaches.
Dennis Berardi is president/VFX supervisor and Aaron Weintraub is VFX supervisor/compositor at Mr. X, a Toronto-based studio that provides animation and visual effects for feature films and television.