The 3D-animated series from Paxolotl Media and Zoot Pictures is designed to illuminate the connection between Indigenous cultures and the natural world.
Fenix Film & Television, Small Army Entertainment and CBC discuss how the groundbreaking series Push came together with key creatives from the disability community.
Plus: Telefilm’s Talent to Watch program implements a few changes, Frances-Anne Solomon’s CineFam launches training program, and more.
VPHouse is a subsidiary of Toronto’s The Other End, designed as a cost-effective virtual production offering to indie producers.
The company says it is looking at all expenses and operations to manage itself during economic uncertainty.
The multigenerational family drama is produced by Toronto’s Neshama Entertainment in association with MarVista Entertainment.
The prodcos are developing a feature-length take on the multiplayer game with Montreal studio Behaviour Interactive.
The thriller stars Peter Dinklage, who is also a producer on the project, with production underway in Calgary.
The 2023 cohort will go through workshops and mentorship to develop feature-film scripts at TIFF Bell Lightbox next month.
Executives at the Boat Rocker company discuss how the pandemic inspired a strategy and slate that includes scripted miniseries on Greenpeace and Emily Carr.
Bechberger’s remit includes developing a sales strategy for all theatrical releases at the distributor.
Unicorn Academy joins the company’s entertainment brand portfolio, with a major multi-phase rollout of toys, digital games and licensed products planned through 2025.
The additional investment over the next three years was announced as part of the province’s 2023 budget.
The festival kicks off next month with nine features, 25 shorts and a digital series, including the Canadian premieres of Polarized and Wintertide.
Production on season two of the Piazza Entertainment-produced series has begun in Ontario and Manitoba.