The selected projects will receive production funding under SODEC’s emerging creation assistance program.
Plus: The Reelworld Screen Institute joins the Netflix-BANFF DOV Initiative, BlackBerry garners a Film Independent Spirit Award nomination, and more.
Chris Nash’s slasher film has also been picked up for distribution by the AMC Networks-owned horror streamer Shudder.
Bell will work with Danielle Woodrow and Tara Woodbury to develop Netflix’s Canadian scripted slate.
A total of $257,500 has been dispersed through the Hot Docs-Slaight Family Fund, Hot Docs Ted Rogers Fund and CrossCurrents.
The Path Forward: Telefilm Canada and TVO also discussed the need for contributions to directly support Canadian feature films at the CRTC hearings.
The Canada Media Fund exec succeeds Nancy Chapelle, who is retiring from the role at the end of the year.
The three-part series will be produced in partnership with Peacock Alley Entertainment, and explore the 40-year history of the Canadian TV franchise.
The parties have not returned to the bargaining table since Nov. 23, Playback has learned.
The Path Forward: the pubcaster also addressed the “ripple effect” its $40 million programming budget cut will have on the indie sector at the CRTC hearings.
The 2023 list includes seven debut features, such as The Queen of My Dreams and Humanist Vampire Seeking Consenting Suicidal Person.
The financing is provided through the Quebecor Fund’s Television Production Assistance and Export Assistance programs.
The multi-year deal will see Crave order 49 episodes from New Metric and Keeso, with Letterkenny spinoffs and a new comedy series currently in development.
The feature documentary The Death Tour by Stephan Peterson and Sonya Ballantyne is also set to make its world bow at the festival.
D.W. Waterson’s competitive cheerleading drama is slated for a spring 2024 theatrical release in the U.S.