Streaming

Hot Sheet

Hot Sheet: Digital Demand for Sept. 15 to 21, 2020

The Boys land at #1 on the Digital Original list, while The Umbrella Academy and The Handmaid’s Tale come in at #4 and #6, respectively.

Hot Sheet

Hot Sheet: Digital Demand for Sept. 8 to 14, 2020

The Boys lead the Digital Original and Overall TV Show charts, while The Umbrella Academy and The Mandalorian also make the lists.

Bell Media brings CTV brands under one platform

Content across all CTV-branded channels and platforms will be available on the ad-supported CTV.ca and the CTV app in time for the fall TV season.

HBO Max takes Detention Adventure

The action-adventure series from LoCo Motion Pictures and Broken Compass Films is now available to stream exclusively on HBO Max in the U.S.

Hot Sheet

Hot Sheet: Digital Demand for Aug. 25 to 31, 2020

The Umbrella Academy holds strong at #1 on the Digital Original list, while Lucifer and The Mandalorian land at #2 and #3, respectively.

Overall entertainment and media revenue to fall by 6%

A new study by PwC says it could take advertising figures three years to get back to 2019 levels.

Deals: Cineflix Rights, Gusto, Spin Master

U.K.-based TV content distributor Cineflix Rights picks up four new factual series, BOSS TV adds Gusto TV to its lineup, plus more.

Hot Sheet

Hot Sheet: Digital Demand for Aug. 18 to 24, 2020

The Umbrella Academy continues its hold on #1, while The Boys and The Handmaid’s Tale land at #6 and #7, respectively.

In brief: Narcoleap jumps back into production

Plus: Edmonton film fest goes digital via a newly inked partnership with Super Channel, and Martin Scorsese joins Bron’s Pieces of a Woman.

Hot Sheet

Hot Sheet: Digital Demand for Aug. 11 to 17, 2020

The Umbrella Academy continues its streak at #1, while The Boys make the Digital Original list.

Netflix orders more Warrior Nun

The streamer has greenlit a second season of the drama produced through showrunner Simon Barry’s Reality Distortion Field.

Encore+ hits 25M views and 100K subs

To date, approximately 58% of viewership on the platform has come from international audiences, according to the Canada Media Fund.