The premiere episode of Bell Media’s competition series captured audiences across linear TV, social media and music-streaming platforms.
The CBC/Netflix drama topped the list with 13 nominations, while there were also strong showings from fellow newcomers Mary Kills People and Alias Grace.
Four of the seven best-picture nominations hail from female directors, including Nora Twomey’s The Breadwinner and Aisling Walsh’s Maudie.
In releasing Ivan Silvestrini’s latest feature, indie-film entrepreneur Avi Federgreen also hits a milestone achievement for his company.
Ashley McKenzie was one of several women celebrated at the TFCA’s annual gala, while Kathleen Hepburn took home a trio of awards at the VFCC event.
Plus CTV announces (some of) its midseason premiere dates, and CTV Two adds a trio of new comedies.
Showrunner Sarah Dodd discusses the numerous challenges in meeting the bar set by the worldwide success of season one.
Reality formats and long-running dramas garnered the most eyeballs, but freshman scripted series also made an impact.
A pair of French-language sequels were the story of this year’s Canadian box office, while all five of the best-performing international features took in more than $30 million.
Netflix, CraveTV and Apple share their Top 10s, and, for good measure, Kobo presents its most-read books (after all, some could be on next year’s most-watched list).
When it comes to reaching a growing audience that’s chronically under-represented on screen, the real risk is being averse to change. Execs sound off in Playback‘s roundtable.
The directors’ guild has enlisted advisor Daina Green to review its workplace policies and practices, while lawyer Emma Phillips will provide legal advice.