Beyond Distribution is adding two upcoming series from the Toronto-based prodco to its catalog: 3 Chefs, 1 City (pictured) and Asia Rising.
The broadcast news icon and documentarian will be honoured June 13 with a Lifetime Achievement Award from the Canadian Journalism Foundation.
On the heels of its recent expansion into Australia, Israeli producer-distributor Keshet International is establishing a Canadian office, to be headed by former Alliance Atlantis exec Mark Rubinstein.
Picture Box Distribution inked deals for the extreme competition series (pictured) for Nat Geo Adventure channels in Australia, New Zealand and pan-Asia.
The project is among 39 honourees for the 72nd annual Peabody Awards, chosen to represent the best in electronic media for 2012.
Elliot Wagner, promoted to VP of program sales and Canadian partnerships, is tasked with finding growth opportunities in the Canadian market, including new channel launches, among other duties.
David Rocco’s Dolce India, the latest series featuring the Canadian chef (pictured), has been licensed by Breakthrough Entertainment to NGCI’s Nat Geo Adventure channel for various territories.
The network will partner on programming with the Vancouver-headquartered company, which is currently developing the world’s first near-live video feed from the International Space Station.
The show, produced by Toronto’s Shark Teeth Films, follows a team of nuisance control experts as they travel through Oklahoma, Texas and Louisiana in search of “menacing invasive species.”
The Canadian exec, currently SVP of acquisitions for the U.K.-based distributor, will remain until the end of the year to ensure a smooth transition, with ex-Target Entertainment exec Ali Hill appointed as head of acquisitions .
For its upcoming 15th edition, the Montreal International Documentary Festival is launching Docs 2.0, a section to showcase interactive documentaries, in collaboration with the Canada Media Fund.
During the closing panel for the third annual Realscreen Branded Entertainment Forum, execs from the production, agency and network sectors discussed what branded content is, isn’t, and what it should be.