Bell Media, CBC and Corus Entertainment acquire new titles and the original The Kids in the Hall scores a streaming deal as day two of Cannes market MIPTV gets underway.
Our Flag Means Death tops digital originals demand while Bridgerton hits No. 4 in the lead-up to its season two premiere.
Producers behind Dawn, Her Dad and the Tractor and White Elephant talk about handling distribution on their own.
The Roku Channel is crafting a content strategy that capitalizes on consumer interest in AVOD.
The Langley studio offers eight sound stages and more than 260,000 square feet of total space.
The planned bilingual anthology series Festivale, by and about Black Canadians, will also serve as an incubator supported by the Black Screen Office.
Policy analyst and media researcher Irene S. Berkowitz issues a “call to action” to find common ground between legacy and new media creators, noting their divide is a false fight.
The live-action series about a group of whiz kids who solve mysteries using math and science launched March 26 on streaming platforms and France 4.
Netflix’s The Last Kingdom jumps to No. 3 on the digital originals list, while The Mandalorian overtakes Star Trek: Picard to lead.
BANFF Connect ’22: Programming heads at Discovery, Starz and CBC discussed what they’re looking for and how to pitch.
Slip, created by star and director Zoe Lister-Jones, will begin production in Toronto in April.
Apple TV+ picks up Pinecone & Pony, Olympusat acquires Faits divers, and Underknown expands portfolio with Aperture.